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Genreline
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The operating system for AI & hybrid film production

Every space of production.One operating system.

Genreline runs AI and hybrid film production end to end — the Crew space where your team works, the Client space and a portal in your brand where clients review, approve, sign and pay, and the Suite where the work is written, boarded, generated, edited and finished. Contracts, rights, money and security run underneath all of it, on one record.

Spaces and portals

Three spaces, the portals between them, one record.

The Crew space is where your studio works. The Client space is where every client company is run, and the portal is what they sign into — in your brand. The Suite is where the film is made. Guests and signers come in through links of their own.

Space · where the studio works

Crew

Your producers, editors, artists and freelancers — who is on the job, what they are doing and exactly what they may see.

  • A directory with skills, rates and availability
  • Tasks across your team and the client’s
  • Internal rooms, threads and calls
  • Roles, project roles, grants and denials
Explore Crew
The task board: columns of tasks with assignees, labels and due dates.The task board: columns of tasks with assignees, labels and due dates.
Space · where clients are run

Client

Every client company with its projects, its team and one shared room — the cuts, the approvals, the contracts and the invoices in one place.

  • One room per client company
  • Approvals with a certificate
  • Contracts, sealed and certified
  • Invoices and payment details
Explore Client
The client message hub: company rooms with presence and previews.The client message hub: company rooms with presence and previews.
Portal · in your brand

Client portal

What your client signs into: your name, your logo, your colour. They review frame by frame, approve, sign, book meetings and pay — and never see a vendor’s name but yours.

  • Frame-accurate review and notes
  • Consent, then signature
  • Booking from your availability
  • One colour in, a full brand out
Explore Client portal
The client portal’s projects in one studio’s brand: the studio’s name and accent colour on the sidebar, each production with its progress.The client portal’s projects in one studio’s brand: the studio’s name and accent colour on the sidebar, each production with its progress.
Portals · no account needed

Guest links

For the people who never log in: the agency producer, the performer, the editor in another studio.

  • Screening linksA cut behind a passcode, watermarked with the viewer’s name — and how far they watched.
  • Signing linksOne release to sign, once, from a phone.
  • Editor panel bridgeNotes and resolves from inside the editor.
Explore Guest links

The platform underneath

Identity, isolation and one record across every space

  • SSO and SCIM
  • Two-factor and passkeys
  • Isolation in the database
  • Permission ledger
Security

The Suite

Write it. Board it. Generate it. Cut it. Finish it. Remaster it.

Ten stages of making an AI or hybrid film — from the first line of the script, through boards, moodboards and the Stage where every major model works inside your production, to sound, edit, finishing, remastering, every language and every ratio, and 3D worlds. Each tool below says what it does, live today or being built.

Stage 01 of 10

Write

The screenplay, co-written live, in the format the industry reads.

41 tools across the Suite · 9 in use today, the rest being built

  • Script Design

    Available

    A screenplay editor built for production, not just for the page.

    • Industry formatting and true pagination
    • Locked scenes and numbers that never shift
    • Tracked changes, comments and snapshots
    • The breakdown reads straight from it
  • Live co-editing with visible cursors

    Available

    Write together in real time, with everyone’s cursor on the page.

    • Live co-editing on the same draft
    • See who is where in the script
    • No more emailing versions
  • Document types

    Available

    Every document a production writes, in one place.

    • Screenplay, treatment, bible, breakdown
    • One format system for all of them
  • PrimeOS

    Available

    An assistant that works inside the script and documents — priced before every call.

    • Draft, rewrite and summarise in place
    • A per-call ceiling asks before anything expensive
    • Counts against the person’s budget
  • Revision mode

    Coming

    Revision mode the way productions run it.

    • Coloured revision pages
    • Asterisks on changed lines
    • OMITTED scenes held in place
  • Final Draft (FDX) import and export

    Coming

    Bring Final Draft scripts in and send them out, intact.

    • FDX import with formatting preserved
    • FDX export for anyone still on Final Draft
  • Import from Fountain, PDF and Word

    Coming

    Start from whatever the writer already has.

    • Fountain, PDF and Word import
    • Scenes and elements recognised on the way in
  • An assistant that learns one writer’s own style, with consent

    Coming

    An assistant that learns one writer’s own voice — with their consent.

    • Trained on the writer’s own work only
    • Suggestions in their style, not a generic one
Explore the whole Suite

What it replaces

A studio runs on dozens of tools. Genreline is one.

Chat, tasks, scheduling, review, screening, transfer, signatures, invoices, screenwriting, storyboards, moodboards, image and video generation, upscaling, dubbing, sound and finishing — each a separate login, a separate bill, and a gap where the record falls through.

31

jobs a studio runs on separate tools today. 21 are already one place in Genreline; the rest are being built into the Suite.

Crew

Running the team and the production

  • Team chatIn Genreline

    Slack, Microsoft Teams, WhatsApp groups

  • Tasks and assignmentsIn Genreline

    Asana, Monday, Trello

  • Crew lists and ratesIn Genreline

    Spreadsheets, Airtable

  • Script breakdownIn Genreline

    Movie Magic, StudioBinder, spreadsheets

  • Shared calendarsIn Genreline

    Google Calendar, Outlook

  • Video callsIn Genreline

    Zoom, Google Meet

  • Who-can-see-whatIn Genreline

    Spreadsheets, IT tickets

  • AI spend controlIn Genreline

    Shared logins on a company card

Client and portal

Running client work, in your brand

  • Client conversationIn Genreline

    Email threads, WhatsApp

  • Review and approvalIn Genreline

    Frame.io, Vimeo Review, Ziflow

  • Live review sessionsIn Genreline

    cineSync, Evercast, screen-sharing

  • Screening linksIn Genreline

    Private video links

  • Large file transferIn Genreline

    WeTransfer, Dropbox, Google Drive

  • E-signatureIn Genreline

    DocuSign, PandaDoc

  • Talent and location releasesIn Genreline

    Paper and PDF release forms

  • BookingIn Genreline

    Calendly

  • InvoicingIn Genreline

    Accounting-tool invoices, Word templates

  • A client portalIn Genreline

    A portal in someone else’s brand

The Suite

Making the work

  • ScreenwritingIn Genreline

    Final Draft, WriterDuet, Celtx

  • StoryboardsIn Genreline

    Boords, StudioBinder boards

  • MoodboardsComing

    Milanote, Pinterest boards

  • Asset libraryIn Genreline

    Shared drives and folders

  • Image generationComing

    Midjourney, Firefly

  • Video generationComing

    Runway, Kling, Luma, Pika

  • Comparing modelsComing

    A tab and a subscription for each

  • Upscale and restoreComing

    Standalone upscalers

  • Dubbing and lip-syncComing

    Standalone dubbing tools

  • Resizing and cutdownsComing

    Manual re-exports

  • Music and soundComing

    Stock libraries, music generators

  • Assembly and finishingComing

    Separate edit, grade and caption tools

  • PipelinesComing

    Zapier, scripts, spreadsheets

Capabilities

Everything in Genreline — live, and being built.

Nothing hidden. Every capability across the Suite, the Crew and Client spaces, the portal, the platform and the network, with its honest status.

129

capabilities live today

37

being built into the Suite and network

  • A studio-wide asset library with facets and a per-production footprintThe SuiteLive
  • Script Design — the screenplay editor: industry format, pagination, locked scenes, tracked changes, comments, snapshotsThe SuiteLive
  • Document types — screenplay, treatment, bible, breakdownThe SuiteLive
  • Revision mode — coloured pages, asterisks, omitted scenesThe SuiteComing
  • Final Draft (FDX) import and exportThe SuiteComing
  • Import from Fountain, PDF and WordThe SuiteComing
  • Live co-editing with visible cursorsThe SuiteLive
  • Live co-editing for storyboards and workflowsThe SuiteComing
  • An assistant that learns one writer’s own style, with consentThe SuiteComing
  • Storyboards — boards, shots, shot types, prompts, ordering (the board; generation is being built)The SuiteLive
  • Shot lists feeding the scheduleThe SuiteComing
  • Storyboard frame generation and animaticsThe SuiteComing
  • Workflows — generation pipelines and automations you composeThe SuiteComing
  • Moodboards — references, looks and palettes, pinned to the productionThe SuiteComing
  • Hybrid production — live action and generated shots in one cut, with rights on bothThe SuiteComing
  • The Stage — image and video generation, takes, versions, cost per resultThe SuiteComing
  • Every major model through one gate — routed by what the shot needsThe SuiteComing
  • Provenance per generated image and videoThe SuiteComing
  • Rights per asset — releases write rights; clients read disclosuresThe SuiteLive
  • Continuity — character, location, wardrobe and style held across every shotThe SuiteComing
  • Model Arena — the same prompt through several models, side by sideThe SuiteComing
  • Studio Kits — your studio’s looks, characters and presets, reusableThe SuiteComing
  • Remaster — upscale and restore existing footageThe SuiteComing
  • Translation with lip-syncThe SuiteComing
  • Aspect-ratio conversion at any lengthThe SuiteComing
  • Variant output — cutdowns, captions, localisationsThe SuiteComing
  • 3D scenes from generated imageryThe SuiteComing
  • Sound — music, effects and dialogue generationThe SuiteComing
  • Sound design — spotting, ADR, mixThe SuiteComing
  • A licensed effects libraryThe SuiteComing
  • Edit — an assembly surface for the cutThe SuiteComing
  • Timeline hand-off to professional editors, and backThe SuiteComing
  • A full editor with two-way live syncThe SuiteComing
  • Finishing — colour, grade, delivery specifications, captionsThe SuiteComing
  • Studio — full 3D virtual setsThe SuiteComing
  • Roamable interactive sets for a whole filmThe SuiteComing

Who it is for

Built for the companies that make the work.

Pick the one that sounds like you — and see your setup, who you invite and exactly what each of them can see.

A production house with a core team and a freelance bench that changes with every job — making commercials, branded films, documentaries, series or music videos for clients who need to see the cut and sign it off.

Commercial production housesFilm and TV production companiesDocumentary companiesMusic-video and branded-content housesPost-production and finishing houses

Your setup

  • CrewYour staff, your freelancers, your schedule
  • ClientEvery client company, in your brand
  • The SuiteScript, boards and the library

Who you invite, and what they see

  • Your staff — Every production, at the role you give them
  • Collaborators — Nothing until invited onto a production or a task — then exactly what the invitation says, for as long as it says
  • Each client’s team — Their own company’s portal — rooms, cuts, approvals, contracts, invoices
  • Guests — One cut through a screening link, with no account
  • Talent — One release to sign, through a single-use link
Production: scenes and elements broken down from the screenplay.Production: scenes and elements broken down from the screenplay.
  • Script to board in one chain

    Scenes and elements read from the screenplay, and storyboards built from them — nothing retyped between tools.

  • Sign-offs that hold up

    Every cut approved on the record — who, when, what they watched and what they said — with a printable certificate.

  • Releases that write the rights

    A performer signs an AI-likeness release on a phone; the asset’s rights — including whether the likeness may be generated — are written by the signature.

Production companies — the full picture

Collaboration

Everyone on the production. Each with exactly what they need.

Your staff, your freelancers, your clients’ teams, the artist you bring in for one job, the agency producer watching a screener, the performer signing a likeness release. One system, and none of them sees more than their part.

Staff: every production, at their company role.

The production cycle

From the first line to the delivered master.

Script, breakdown, boards, generation, continuity, assembly, review, approval, rights, finishing, every version and the invoice — one chain, each stage reading from the one before it.

Script
00:00:01:00

Script

Written and co-edited live in Script Design.

Production: scenes and elements broken down from the screenplay.Production: scenes and elements broken down from the screenplay.
00:00:09:00

Breakdown

Scenes, characters and looks read from the script.

Boards
00:00:17:00

Boards

Storyboards shot by shot, prompts on every frame.

Moodboards
00:00:24:00

MoodboardsComing

References and palettes pinned to scenes.

Generate
00:00:33:00

GenerateComing

The Stage — every major image and video model, one gate.

Continuity
00:00:41:00

ContinuityComing

The same character and look, shot after shot.

Assemble
00:00:47:00

AssembleComing

Build the cut from takes and generations.

The client’s vault: their files, by production.The client’s vault: their files, by production.
00:00:52:00

Versions

Every new cut stacks on the last, compared side by side.

A review in the portal: the player, timecoded notes down the side, a note being written on a frame.A review in the portal: the player, timecoded notes down the side, a note being written on a frame.
00:01:03:00

Review

Notes on the timecode, sessions in sync.

One approval record: the chain of stages, who saw what, what they said, and the certificate.One approval record: the chain of stages, who saw what, what they said, and the certificate.
00:01:14:00

Approve

On the record, with a certificate.

Contracts: templates, drafts, sent and signed, with the sealed PDF.Contracts: templates, drafts, sent and signed, with the sealed PDF.
00:01:22:00

Rights

Releases write the rights they prove.

Finish
00:01:31:00

FinishComing

Grade, captions, delivery specs.

Every version
00:01:39:00

Every versionComing

Cutdowns, ratios and languages from one master.

Invoices: numbered, dated, with status and payment method.Invoices: numbered, dated, with status and payment method.
00:01:48:00

Invoice

Numbered, in the client’s portal.

Script
00:00:01:00

Script

Written and co-edited live in Script Design.

Production: scenes and elements broken down from the screenplay.Production: scenes and elements broken down from the screenplay.
00:00:09:00

Breakdown

Scenes, characters and looks read from the script.

Boards
00:00:17:00

Boards

Storyboards shot by shot, prompts on every frame.

Moodboards
00:00:24:00

MoodboardsComing

References and palettes pinned to scenes.

Generate
00:00:33:00

GenerateComing

The Stage — every major image and video model, one gate.

Continuity
00:00:41:00

ContinuityComing

The same character and look, shot after shot.

Assemble
00:00:47:00

AssembleComing

Build the cut from takes and generations.

The client’s vault: their files, by production.The client’s vault: their files, by production.
00:00:52:00

Versions

Every new cut stacks on the last, compared side by side.

A review in the portal: the player, timecoded notes down the side, a note being written on a frame.A review in the portal: the player, timecoded notes down the side, a note being written on a frame.
00:01:03:00

Review

Notes on the timecode, sessions in sync.

One approval record: the chain of stages, who saw what, what they said, and the certificate.One approval record: the chain of stages, who saw what, what they said, and the certificate.
00:01:14:00

Approve

On the record, with a certificate.

Contracts: templates, drafts, sent and signed, with the sealed PDF.Contracts: templates, drafts, sent and signed, with the sealed PDF.
00:01:22:00

Rights

Releases write the rights they prove.

Finish
00:01:31:00

FinishComing

Grade, captions, delivery specs.

Every version
00:01:39:00

Every versionComing

Cutdowns, ratios and languages from one master.

Invoices: numbered, dated, with status and payment method.Invoices: numbered, dated, with status and payment method.
00:01:48:00

Invoice

Numbered, in the client’s portal.

Review and approval

Every sign‑off, provable.

Who it went to, how much of the cut they actually watched, what they said on which frame, and when they decided — kept as one record with a printable certificate. Years later, “who approved v4?” takes ten seconds to answer.

  • What the approver watched, joined to the decision
  • Notes anchored to the timecode
  • Review windows and a reminder ladder
  • A certificate anyone can be handed

And if a review window closes with no answer, the production moves on and the record says exactly that — never a sign-off nobody gave.

Approval record

Spring campaign — rough cut v4

Recording…
  1. Mon 10:02Northlight Pictures: Sent Spring campaign — rough cut v4 for approval
  2. Mon 10:02Review window: Closes Thursday at 5:00 PM, under the production agreement
  3. Tue 14:31Maya Lindqvist: Watched 92% of the cut through a screening link
  4. Tue 14:38Maya Lindqvist: Note at 00:00:41:08 — “Hold the logo two frames longer”
  5. Wed 11:15Maya Lindqvist: Approved, with one note attached
  6. Wed 11:15Genreline: Certificate issued — printable, with every step above

White-label

Your clients see your studio. Not us.

The portal, the screening links, the signing pages, the email and the sealed PDF carry your name and your colour. A client of your studio bought from your studio.

The client portal’s projects in one studio’s brand: the studio’s name and accent colour on the sidebar, each production with its progress.The client portal’s projects in one studio’s brand: the studio’s name and accent colour on the sidebar, each production with its progress.
The same portal screen in a second studio’s brand: a different accent colour, the same screen.The same portal screen in a second studio’s brand: a different accent colour, the same screen.

Try it: one colour in, an accessible palette out.

Pick any colour. The type that sits on it is chosen by measured contrast, so no choice produces an unreadable Approve button.

Six hex digits, like #1F6F5B.

Type on this colour is white, at 6.0 : 1. WCAG asks for 4.5 : 1 for body text. The other choice would have been 3.1 : 1.

Light theme

Rough cut v3

Waiting for your decision

ApproveRequest changes

Dark theme

Rough cut v3

Waiting for your decision

ApproveRequest changes

Contracts and signing

Contracts that hold up.

Fields placed on the PDF, consent before signature, a cryptographic seal with the certificate inside the file — and a signed release writes the rights it proves.

Contracts: templates, drafts, sent and signed, with the sealed PDF.Contracts: templates, drafts, sent and signed, with the sealed PDF.
  • Fields placed on the PDF
  • Consent before signature
  • A cryptographic seal
  • Releases that write rights

Meetings and review sessions

Review together. Keep the notes.

A shared playhead that stays in sync across the room, drawings on the frame that outlive the call, and markers straight into Resolve, Final Cut and Premiere.

A review in the portal: the player, timecoded notes down the side, a note being written on a frame.A review in the portal: the player, timecoded notes down the side, a note being written on a frame.
  • Synchronised playback
  • Drawings kept after the call
  • Markers to Resolve, FCP, Premiere
  • A colour-space warning
  • Mentions of people
  • Attachments and voice notes
  • Drafts kept per person, per room, per thread
  • Message edit history, append-only
  • Side-by-side and overlay version compare
  • Marker export and import
  • Editor panel bridge
  • Colour-space declaration and a display warning
  • Booking
  • Background blur and noise suppression
  • Resumable large uploads
  • Field placement on the PDF
  • Mentions of people
  • Attachments and voice notes
  • Drafts kept per person, per room, per thread
  • Message edit history, append-only
  • Side-by-side and overlay version compare
  • Marker export and import
  • Editor panel bridge
  • Colour-space declaration and a display warning
  • Booking
  • Background blur and noise suppression
  • Resumable large uploads
  • Field placement on the PDF
  • Two-factor sign-in, recovery codes, step-up for sensitive actions
  • Passkeys
  • Single sign-on
  • SCIM 2.0 provisioning
  • A per-call ceiling on AI spend, with confirmation above it
  • Per-member and per-seat-class budgets, each visible to its holder
  • Clearance panel
  • Web push
  • SMS, metered
  • Command palette
  • Membership in several organizations, with switching
  • Guest review notes as evidence; resolve and tag as ledger events
  • Two-factor sign-in, recovery codes, step-up for sensitive actions
  • Passkeys
  • Single sign-on
  • SCIM 2.0 provisioning
  • A per-call ceiling on AI spend, with confirmation above it
  • Per-member and per-seat-class budgets, each visible to its holder
  • Clearance panel
  • Web push
  • SMS, metered
  • Command palette
  • Membership in several organizations, with switching
  • Guest review notes as evidence; resolve and tag as ledger events

Built like infrastructure

What a studio’s security team asks first, answered precisely.

  • Isolation in the database

    Studio isolation is enforced in the database, and proven by 128 automated security checks.

  • Two-factor and passkeys

    Two-factor sign-in, passkeys, recovery codes, and a second check before sensitive actions.

  • Single sign-on and SCIM

    SAML and OIDC on a proved domain, enforcement, just-in-time provisioning and SCIM 2.0.

  • Your own rules

    Required two-factor, a maximum session age and an idle timeout, set by the studio.

  • Application protections

    Rate limiting, a per-request content security policy, bot protection and breached-password checks.

  • Retention and erasure

    A grace window before purge, seven years of activity ledger, and erasure with a stable pseudonym.

Every control, and every gap, on the security page

AI with a budget and a record.

Coming

Every generation goes through one gate: the studio’s budget, the person’s budget, a ceiling on the call, the right model for the shot, the queue, the meter — and provenance written onto the asset.

The controls already govern text: a per-call ceiling and a budget per person.

AI and provenance

The filmmaker network.

Theater, Community, streaming and a marketplace for likenesses, avatars and voices — for filmmakers, studios and working actors.

  • TheaterComing
  • CommunityComing
  • StreamingComing
  • MarketplaceComing
Join early access

Every space of production. One operating system.

Open a studio, invite your team, add your first client — and make the film in the Suite.